Saturday, October 21, 2017
Aptly introducing the album is “Breathe on Me, Breath of God”, an English Christian hymn dating to the late 1800’s, which was written by a Church of England vicar by the name of Edwin Hatch. A caressingly warm and radiant composition with a fitting song title to match, its melody seemingly conveys the essence of waking up to the blessings of a beautiful new day. Many listeners will instantly recognize the opening notes of “Be Thou My Vision”, which is a traditional hymn from Ireland. One of my favorite renditions herein, this gently lilting composition is frequently sung in both Old Irish and its later English translation. Also included is the famously beloved, “Amazing Grace”, one of the most popularly rendered hymnal classics of all time. Lending a beautifully improvisational twist to this song, Dan plays the main melody in the middle registers before subtly shifting into the higher registers and back again throughout. Although an instrumental rendition, I could easily imagine the song’s comforting lyrics singing along in my mind while listening. Dan also puts a lovely spin on “Wondrous Love” (otherwise known as “What Wonderful Love Is This”), which is a widely-known Christian folk hymn with a melody derived from a popular English ballad. Among my favorite compositions on the album is one of three originals called “Breath of Life”, for which Dan also made an accompanying video of him playing the piece. Outwardly contemplative while emitting a subtle sparkle throughout, the piece effectively brings-to-mind the glowing dawn of an early-morning sunrise.
Certain to aid in calming and centering the mind while gently lifting the spirits, Held In the Light is yet another impressively composed and arranged album from Dan Chadburn. He mostly plays these tunes with a gentle hand in a melodically straightforward manner, while possessing an elegant piano-playing style that feels centered and focused. Additionally, Dan offers sheet music via his website where you can also check out his other wonderful recordings! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon, iTunes, CD Baby and Google Play.
This review was originally published on Journeyscapes Radio on 10/21/17.
Friday, October 20, 2017
Right from the opening piece, “Mountain Sanctuary”, it’s the beautifully calm and intimate melodies themselves that emerge as the most captivating element on the album – expressed through the vehicle of Michael’s equally beautiful instrument. Evocative of the sand and sea, the listener’s mind is easily transported to a Polynesian paradise via the leisurely arrangements of softly layered textures and atmospheric tones. Providing a listening space in which to relax and unwind, these lulling soundscapes can be appreciated as either background music or via active listening engagement. The song titles themselves suggest themes of both landscape and life experiences – such as the composition, “A New Life”, which inspires a sense of hope and remembrance; “Quiet Full Moon”, an introspective piece that portrays a scene of the lunar light reflecting upon the waters; or “Joyful Reunion”, which elicits a gentle mood of winding down after seaside festivities. One of my favorite melodies on the album is that of “Simple Pleasures”, which seemingly sways and gently rolls like ocean waves in the glow of a setting sun.
Amazed by how this rather simple looking instrument can produce these subtly dimensional soundscapes, Serenity perfectly showcases the sheer sonic beauty and gentle emotional expression of which the Chapman Stick is capable. For those unfamiliar with the body of Michael Kollwitz’ work, this album is a most excellent starting point, as well as easily his finest, thereby offering a suspended moment to get lost in, where the blue seas, clear skies and cool breeze is seemingly endless! ~Candice Michelle
For more information, please visit the artist's website. This album is available at Amazon and other retail & streaming platforms.
Thursday, October 19, 2017
Some of the album’s highlights include “Shadow of the Moon”, which opens disc one with a pristine arrangement of guitars, percussion and various instruments, as it moves at a moderate pace. Seemingly set inside the castle of an old East European town somewhere, Candice’s poetically lyrical melody effectively brings-to-mind that of an enchantress singing and dancing by the moonlight. Lively and whimsical, “Renaissance Faire” offers a fanciful escape, in which dancing couples dressed in traditional Renaissance garb enjoy outdoor festivities, food and drink. The fiery and focused “Spanish Nights” showcases passionate flamenco guitar paired with thundering percussion. Further complimenting its beautifully impressive and intricate guitar-work is Candice’s bewitching singing style, which pleasantly reminds me of Stevie Nicks. One of my favorite pieces on this set is “The Circle”, which seemingly evokes images of the ancient British Isles complete with ancient rituals, fire dances and robed druids at Stonehenge. Symphonic orchestration and a chorus of backing vocals lend to its theatrical sound, which are carried to the end by an enthralling electric guitar solo.
The second disc includes a cover of Mike Oldfield’s “Moonlight Shadow” in the style of a Celtic folk ballad and features a lovely flute interlude. Another favorite is “Somewhere Over the Sea”, a most enchanting number with a nocturnal, winter theme. Haloed by ethereal vocals throughout, the piece’s electric guitar part recalls that of Mike Oldfield’s Celtic-inspired Voyager album. Finally, “Durch den Wald zum Bach Haus” and “Nur eine Minute” are two lovely instrumentals in a classical renaissance style.
Although a fan myself, I have yet to see Blackmore’s Night perform live. However, they’re well-known for their fantastically engaging concerts which attract many attendees who, like the band, are often dressed in Renaissance garb. Having amassed quite an enthusiastic and loyal following, it’s no surprise why, as their alluring musical offerings beckon the listener to step back in time and enter a world that’s filled with romantic enchantment and imagination! ~Candice Michelle
For more information please visit the artist's website. This album can also be purchased at Amazon, iTunes and Google Play.
This review was originally published on Journeyscapes Radio on 10/19/17.
Thursday, October 12, 2017
“A Walk Through the Leaves” opens the album with a haze of billowing chords comprised of a gentle melody set against a backdrop of encircling, layered guitar loops. As if drifting along in slow motion, the piece effectively illustrates that of autumnal scenery at dusk or dawn as changing leaves lightly flutter about in the cool breeze. This mood continues with “Sun on Frost”, which seemingly guides us into a deeper state of wistful contemplation. Slipping into a more spacey mode is “Constellations”, a beautifully magical composition defined by suspended layers of guitar notes that float and weave about like gossamer streams of color and starlight. Equally gorgeous, “The River in Late Autumn” bears some resemblance to both the title tracks from Jeff’s albums Follow the River Home and With Evening Above. Moving at a languid pace, its somewhat forlorn melody is softly sustained in the lower registers like that of a gently flowing river, as the sparsely-placed higher notes seemingly mimic that of moonlight reflecting upon the water. The ensuing “Downdrift” could be likened to a sequel of sorts to “Downstream” from Jeff’s previous release. Employing similarly processed effects, the piece seemingly embodies the very essence of a cold wind blowing, with its swirling sound patterns of icy metallic textures. “Midnight Snow” follows next with gurgling timbres and hazy distortion gently bouncing outwards, effectively bringing-to-mind that of trekking across a frozen landscape beneath the dim light of a shrouded moon. At 17:45 minutes, “A Long Winter’s Sleep” is a deeply atmospheric, ambient-space piece in the long-form style of Steve Roach, although still unmistakably Jeff. A beautifully dreamlike piece that evokes the darkest phase of winter, I’m able to imagine the mysterious aurora borealis shimmering above a vast northern landscape, as its tonal colors encircle and phase in-and-out of the listening space. Easily mistakable for synthesizers in its entirety, Jeff is simply unparalleled in his ability to craft such dimensionally-layered soundscapes using just electric guitar with processed effects. Concluding the album is “Cold Comfort”, a subtly melodic piece that conveys a sense of solitary serenity; its title aptly illustrating Jeff’s ability to create pieces that somehow feel paradoxically emotive and evasive.
Another impeccably gorgeous album from Jeff Pearce, it not only debuted in the top ten on Billboard’s New Age Chart soon after its release, but I was subsequently delighted to see Jeff perform live at The Gatherings Concert Series in Philadelphia, PA – a spectacular event produced and coordinated by Star’s End Radio host, Chuck Van Zyl. Perfectly capturing the enchanting beauty and mystery of the darker, colder months of the year, From the Darker Seasons is yet another ambient-guitar masterpiece full of haunting aesthetic emotion and wistful reflection! ~Candice Michelle
For more information please visit the artist's website. This album can also be purchased at Bandcamp, Amazon, iTunes, CD Baby and Google Play.
This review was originally published on Journeyscapes Radio on 10/12/17.
Wednesday, October 4, 2017
The opening piece, “Out of the Frying Pan”, is enjoyably fey-like with its sampled wind instrument and metallic keyboard notes, as it moves at a rhythmic pace sans a definable drumbeat. Ostensibly retrospective in its essence, this piece along with others on the album seemingly convey a notion of viewing framed photos or snapshots of different scenes in time, as opposed to that of being present in the captured moments to experience them in real-time. One such example is the aptly named, “A Moment in Time”, a slightly jazz-infused number that perfectly illustrates the album’s cover painting of moonlight and landscape. Many of the compositions skew heavily sentimental, such as noted on the title piece, “Under a Second Moon”, an instrumental ballad that's accompanied by saxophone and a tender keyboard arrangement. Comparatively, I found myself most appreciating the more whimsical and fantasy-like moments on the album, such as that exemplified on “Long Way Home”, a dynamic electronic piece with a cinematic flair and easily my favorite of the lot. In my view, the 80’s-era musical influences works best on pieces such as this, with its retro guitar riffs and vintage drum programming that are further complimented by some Pat Metheny-esque vocal lines.
Rather than simply being modern music with a vintage edge, everything about these compositions – from the production, melodies, arrangements and sound quality– seemingly hails straight from the 1980’s, thereby recalling the reigning era of cassette tapes with some sense of nostalgia. An enjoyably positive listening experience overall, Under A Second Moon will likely most appeal to those who appreciate classic new age synthesizer music of the melodic and rhythmic variety! ~ Candice Michelle
For more information please visit the artist's website. This album is also available on Amazon, iTunes, CD Baby and Google Play.
Review originally posted on Journeyscapes Radio on 10/04/17
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