Thursday, July 13, 2017
“Selah” opens the album with a warmly flowing arrangement that smoothly rolls along like a scenic hillside in the sunshine. Producing a dimensionally radiant sound quality, it’s easy to envision the composer playing in a chapel as the music resonates throughout the hall. Three seasonal-themed pieces follow next, beginning with “Summer’s End”, a brightly optimistic number that mostly hovers in the higher registers. “Falling Leaves” slips into a more introspective mode, beginning softly at the top and trickling down into the mid-range with bolder exertion. My favorite composition on the album is “Winter’s Chill”, which particularly bears a resemblance to the mood and style of George Winston. Wells lends a steadily focused undercurrent with his left hand, as his right hand moves rapidly in a spinning motion, seemingly recalling that of watching someone hurrying down a winding staircase from above. I can only imagine what a treat it would be to witness this piece played live with its impressive display of intricate finger-work and evocative wintery atmosphere, which effectively conjures imagery of riding through a snowstorm. “Nocturne” is a notably intriguing composition full of expressive twists and turns. Despite its title, I’m more inclined to envision a sunny winter day while listening, especially amid the piece’s dynamically optimistic middle portion that’s decoratively bookended by a touching, heart-warming melody. “Traveling Light” effectively wraps up the album’s title and message with a tender yet spirited arrangement that imparts a sense of hope and optimism.
Soulfully elevating yet down-to-earth, the compositions on Songs of Hope generally remain in a happy place while simultaneously creating a space for inner reflection. Even amid the album’s more contemplative moments, Wells’ arrangements are inherently optimistic, open and personal, as well as immaculately arranged with an impeccable sound quality! ~Candice Michelle
For more information please visit the artist's website. This album is also available on Amazon, iTunes, CD Baby and Google Play.
This review was originally published on Journeyscapes Radio on 07/13/17.
Friday, July 7, 2017
“A Walk in the Park” introduces the album on a gently positive note, which seems to capture the song’s title both figuratively and literally. As with this piece and each one that follows, Fiona impressively demonstrates a keen ability for vividly illustrating the given names of her compositions with her piano-playing, simultaneously guiding the listener though a range of both inner emotions and outer landscapes. Following next is “Moon Over the Lotus Pond”, ebbing and flowing softly with carefully spaced pauses between each note, as the piece perfectly captures a nocturnal stillness and quietude. My favorite part of the album is the subsequent Opus trilogy that consists of three individual pieces, which although distinct from one another, all possess a billowing undercurrent like that of a winding river carving its way through a vast terrain. The first of these, “Opus: Into the Mist (Part 1)”, is both a somewhat darker and supremely beautiful piece that cascades abundantly up-and-down the keys with alternating accents on both lower and higher notes in the registers. Initially delicate and wistful-seeming, “Opus: Mist Rising (Part 2)” soon unfurls into an intently focused and penetrating number. Building gradually with a self-contained intensity like a stirring beneath the surface calm, Fiona’s intricate finger-work delivers boldly accented strokes against the edges of the composition’s interior. “Opus: Mist Before Dawn (Part 3)” effectively hints at an impending sunrise, while conveying a soothing sense of release along with the freedom of going with the flow. “Through Cloud” feels emotionally bittersweet; its mood seemingly paralleled by the image of gentle sunrays peering through a light rain shower. “Feeling Sunshine” exudes a golden warmth and air of carefreeness, flowing continuously from all sides like a fountain as the surrounding pool of water ripples on outwards. The slower-paced “Grey Sky Morning” ensues with a quieter mood of reflecting upon fond memories; its arrangement thinly spread-out among the registers with bolder emphases placed on the higher notes. “Galloping” is another favorite with a lovely companion music video. As with her song, “Invisible Train” (from her previous Signature-Solo album), in which Fiona effectively captured the forward motion of a train, she likewise accomplishes a similar effect here with the rhythmic mimicking of galloping horses. The minor-key “The Void” perfectly concludes the album with a sense of emotional intrigue, as if perhaps leaving one with a lingering impression of dreams, memories and secrets.
Easily Fiona Joy’s most accomplished album to date, Into the Mist is a stunning work of pristine elegance and sophisticated beauty expressed with sincerity and depth of the heart. While inherently of a romantic nature, these compositions effectively avoid any trappings of being overly sentimental, instead retaining a captivating essence of mystery throughout. Destined to become one of this year’s best solo instrumental recordings, Into the Mist is simply a must-have for those seeking piano music that’s both subtle and profound! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Blue Coast Records, Amazon, iTunes, CD Baby and Google Play.
This review was originally published on Journeyscapes Radio on 07/07/17.
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