Tuesday, October 25, 2016
Named for a mint plant that exudes a spicy fragrant essential oil, “Monarda” leads the album with celestial chords and earthy cello, which are eventually joined by an arrangement of strings towards the end of the piece. I’ve long found Deuter’s music to be generally well-suited for early mornings, and this composition aptly brings to mind images of the sun’s rays peering upon the horizon of an early dawn. The mesmerizing “Sonnenbraut” follows next and is my absolute favorite track on the album. Just over ten minutes in length, delicate flute and icy bells dance among layers of ethereal chords in an almost circular pattern, as hypnotic percussion gently guides this enthralling composition along. The exotic nature of this piece combined with its frosty atmosphere feels evocative of the Himalayas, bringing to mind images of an ancient temple hidden among the misty snow-capped mountains. Named for a flowering herb, “Traubensilberkerze” is led by an arrangement of harpsichord and woodwinds, which are accompanied by synthesizers and East Asian musical instruments. Possessing a harmonious juxtaposition of Far-Eastern and medieval European elements, the piece exudes an almost folkloric and mythical quality. The watery “Lily of the Valley” is another favorite, which highlights a subtle piano melody throughout. Entrancing hand percussion gently guides the piece along, as it’s accentuated by crystalline chimes and suspended synth-tones. “Binguga” is perhaps the album’s most heavenly moment; it gets its title from a plant listed in the 12th writings on healing plants by the mystic nun Hildegard von Bingen. The composition’s mysterious swell of angelic synths seems to capture a vision of the sky opening up to reveal a beam of light pouring through. I’m also especially fond of the closing piece, “Cumaru”, with its drifty piano, softly swirling tones and wordless vocal intonations. This dreamy composition seems to paint a picture of evening, as it lulls the listener into a restful dream state.
Deuter is unquestionably the gold-standard of new age healing music and Immortelle is no exception to his excellent body of work. Easily one of his best in recent years, this is a landmark album for him, which is certain to join the ranks among some of his most notable and outstanding recordings. A gently moving album full of ‘high vibration’ signatures, Immortelle is not to be missed by anyone looking to heal, connect and relax – or bring the same to others! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon and iTunes.
This review was originally published on Journeyscapes Radio on 10/25/16.
Monday, October 24, 2016
“Awakening” begins softly with high-register notes, where Dan initially lends a gentle touch to the keys before lower-register notes soon join in accompaniment. An emotional tenderness and graceful sentimentally is felt throughout the composition, likewise characterizing much of the album. Picking up the pace a notch is “Joyful Morning”, which exudes a distinct air of buoyancy and innocence like that of children playing and skipping about in the sunshine. Following next is the more contemplative “Healing Waters”, a piece that was inspired by an early morning swim at the seashore. One of my favorites, bolder mid-to-lower register chords provide a steady undercurrent for its delicately flowing higher register notes, perhaps to musically illustrate the ocean’s waves gently rolling in and out. The likewise intriguing “Crossroads” is about life’s journey and the varying paths to choose from, which is musically conveyed by its unpredictable melody that gently ebbs and flows throughout, with a subtly changing and evolving pace along its course. My absolute favorite composition herein is “Tears of Angels”, which was composed in memory of those killed and wounded at the Pulse nightclub in Orlando on June 12th, 2016. This unforgettable tragedy occurred in my hometown and directly affected the lives of many people in my community. Beginning in a solemn tone, sparse notes and spacious chords impart a sense of sorrowful comfort along the composition’s beautiful and perfectly understated melody. Interestingly, to say the least, its melody caught my attention even before I learned of the song’s inspiration. I’m also particularly fond of “Falling Forward”, which possesses a certain air of mystery and unknowing. The subtly waltzing and classical bent of the composition brings to mind that of a lone ballet dancer. Also especially noteworthy is the emotionally tender “Kal-Boy”, which was written in memory of Dan’s twenty-year-old cat on the evening he crossed the rainbow bridge. Conveying both the sorrow felt for his beloved pet’s passing along with the celebration of his life, this piece perfectly captures the emotions experienced during that most heartbreaking moment. Closing out the album with a peaceful optimism is “Lullaby for Peace”, which Dan has offered as “a prayer of hope for all of humanity to learn to live together”.
Inspired by “the people and events that shape our world”, Beyond Words is a deeply sincere and sentimentally imbued recording that subtly varies from gently uplifting to peacefully contemplative moods. Fans, especially, of the solo piano genre will likely find the characteristically non-intrusive and simple elegance of these compositions to be as overall lovely and comforting as I did! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon, iTunes and CD Baby.
This review was originally published on Journeyscapes Radio on 10/24/16.
Wednesday, October 5, 2016
“Awakening Breath” opens with the toll of a Tibetan bell followed by an exotic flute solo, evoking a spirit of reverence and solitude that sets the mood for a serenely soulful and mystical journey. “Towards the One” follows next with an opening chorus of crickets and nocturnal sounds, before transitioning into an enveloping and warmly-lit soundscape of flute, sitar and synthesizers that are soon accompanied by a flowing organic rhythm. It’s one of my favorite compositions on the album, bringing to mind images of a sacred sensual dance being performed amidst an enthralling haze of candlelight and incense smoke. “Infinite Space” is another gorgeous piece that invokes a blissful and dreamlike state, as breezy flute ethereally floats among a bed of gossamer chords like clouds passing slowly across the sky. Also particularly noteworthy is the beautifully hypnotic closing piece, “An Ancient Presence”, which effectively conveys the notion of standing in the presence of an ancient sacred temple. Here, droning chords merge with deep vocal intonations before introducing a mesmerizing flute melody, as earthy percussion subtly guides the piece along in a meditative mode that seems to fuse an eastern mystical vibe with a Native American essence.
Deeply entrancing from beginning to end, Whispers of Silence is an impeccably outstanding album of perfectly executed artistic vision as well as utmost professionalism. Grounding, earth-centered, and ceremonial in nature, its compositions beckon the listener to step into a sacred space that allows the mind and spirit to feel unrestrained by time or geographical location. Easily one of the best albums of its kind to emerge in recent memory, Whispers from Silence is especially and enthusiastically recommended for yoga, meditation and shamanic journeying! ~Candice Michelle
For more information please visit the artist's website. This album can also be purchased at Amazon, iTunes, and CD Baby.
This review was originally published on Journeyscapes Radio on 10/05/16.
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